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Haven Winter Blog Series: My Haven

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Come wander in your words at a Haven Writing Retreat in 2018!
You don’t have to be a writer to come. Just a seeker who dearly longs for your voice.

Now Booking Haven I Retreats for 2018. Click here for more info!

February 28-4
April 18-22
May 16-20
September 19-23
September 26-30
October 24-28

Every year I give my blog over to my Haven Writing Retreats alums for a week or so, and ask them to write on a theme. This year it’s this question: What is your haven and how do you show up for it? 

Here is my answer.

My Haven

Helen HaileSelassie

Helen HaileSelassie

There are plenty of life occasions that entice us to go in search of a place of refuge, of a space that promises calm and safety. My haven is shared amongst many and yet unique only to me. It is within the confines of an age-old building with explicitly carved stone walls encasing stained colorful windows that capture the reflection of light and disperse it into countless angles of rays. It is a church I frequent, a corner of it I have silently claimed as my own, the small encapsulated space within the grander place that has relentlessly and benevolently heard my secrets, witnessed my tears, and shouldered my burdens. It is the place that allows me to revert into my soul and lets me touch the purest surface of my consciousness.

From the moment I open the gigantic wooden doors that require the strength of both my arms, I am welcomed by the strange yet familiar scent of incense. As smell is one of the strongest triggers of memory, I am inevitably transposed into a space that is warm, forgiving, and guiding. The echoes of my footsteps on the linoleum floor awakens me to the reality of my physical surrounding. I look around and see the wooden pews with a bible on each seat lining the length of the church. I make my way past the tired looking pews, no doubt invisibly bearing the mortal burdens of unconsoled souls. I reach the front of the church with the elaborately decorated altar before I pass the innumerable candles lighting away the sins of the worldly existence and begging to be saved for a life that is unknown. With each step I take, getting closer to the quiet corner I always kneel by, I can feel the pressure of the days and months leaving my body, the past and the future losing significance, and only being surrounded by the peace that seems to emanate from the unseen and intangible to penetrate acutely into my mind, heart and soul.

As I kneel on both knees, I am reminded of the countless things I am grateful for. This mere act of being thankful for my blessings instills in me a sense of fulfillment and calm that would normally be elusive in the daily routine of life. As my prayer continues from thankfulness to that of guidance, I feel in touch with a divine being. Some would say this is the power of the creator and others would argue that it is merely reconnecting with the God in us. I choose not to get too entangled with the intricacy that has no perceptible answer of whether there is a divine being in all of us that we can tap into through prayer and meditation. But I know only the feeling of sacredness that exists in the place I find to be my Haven, the source of which is beyond the tangible world and lies in the secrets of the divine. It is the place that has quieted down my anxieties, delivered the answers to my worries, guided me to follow the path that has been set and assured me that if I practice letting go, the answers will always manifest. So time and again, when the natural and ordinary world fails me, I show up at my haven to make peace with the unknown in return for immediate calm and eternal joy.

Haven Winter

Brenda Johnson Kame’enui

Flatbutt drive:Users:brenda:Desktop:IMG_0025.jpg

Tall Douglas fir and cedar trees line the road, boughs bowed to the ground with the burden of snow. A breeze tosses branches and sunshine catches flakes in flight. The glitter against the sky is dazzling.

“My stars!” I say. What? My mother, widely recognized for her pithy expressions, used to say that, but I don’t remember ever saying it myself. In the few years since Mom died, my sister and I have entertained ourselves with imitations of our mother, but we haven’t called on the stars.

You’d be taller if you didn’t have so much turned under at the ankle; you look like something sent for that couldn’t come; a horse apiece; six of one, half dozen of another; don’t wish your life away.

This is a star-studded moment. The sky, icy blue between trees, above trees, and through lacy branches, features a faint star here and there. I’ve braced myself against the cold with mittens and mufflers to spare, and I point my skis down the trail. There’s nothing left but the poetry of this moment in this place. I’m lucky to spend a week in the North Cascade Mountains.

The sun’s warmth releases snow from an upper branch. “Plop.” The silly sound repeats on a sunny stretch of the path ahead. The snow is cold and dry, and the trail is fast–someone skied out ahead of me this morning. The hills are a satisfying challenge, and the rhythm is easy. Lift, glide; lift, glide.

I break new trail as I cross Railroad Creek on the footbridge, moving through fresh snow piled in a narrow wedge between railings. The creek’s riffles reflect the sun, and the water is fast but clear. I can count the rocks on the river bottom. If I stood here long enough, I imagine I would spot fish tucked under speckled rocks at the edge of an eddy.

Across the creek, I climb a tabletop hill. It’s a long, steep cut through fresh snow, but I’m not breathless as I reach the top and pick up speed. The North Cascades loom in dazzling splendor both behind me and up ahead.

At home in Oregon, the Cascade Range forms an orderly line—plink, plink, plink—of volcanic mountains, from the Crater Lake caldera, north past the Three Sisters and Mt. Jefferson to Mt. Hood. I’ve skied below and between these ancient volcanoes, and there I’ve also uttered variations of awe and wonder. On a recent ski to Potato Hill, I proclaimed, over and over again, “I am so happy!” The  constant refrain didn’t annoy my skiing companion, who made the same excited exclamation. When we skied into a clearing with a view of the Three Sisters and Three-Fingered Jack, we both shrieked.

The North Cascades of Washington are different. The “Alps of the West,” these Cascades tower in magnificent clusters. Every step is a photographic moment. I ski a wide arc on the wide tabletop, taking advantage of the 360-degree view. This is the best. I am so happy.

When I leave the flat stretch to ski down through the trees, I must pay attention to navigate the trail. I hear nothing but the glide of my skis and the wind soughing in the trees. I move in and out of their shelter, careful to avoid the tree wells.

I ski from one sanctuary in the woods to the next. There is no place I would rather be. I arrive at another clearing with another imposing view. The mountains have moved even closer. My stars! Don’t wish your life away. 

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Haven Winter Blog Series: My Haven

IMG_0522Come wander in your words at a Haven Writing Retreat in 2018!
You don’t have to be a writer to come. Just a seeker who dearly longs for your voice.

Now Booking Haven I Retreats for 2018! Click here for more info.

February 28-4
April 18-22
May 16-20
September 19-23
September 26-30
October 24-28

Every year I give my blog over to my Haven Writing Retreats alums for a week or so, and ask them to write on a theme. This year it’s this question: What is your haven and how do you show up for it? 

Here is my answer.

My Haven

Noha Al-Kadhi

My Haven

It has been a steady flood of colossal losses.

Within a window of six years, grief depleted me, starting with the tragic loss of my father, followed by that of my grandmother, only to be shortly shadowed with the sudden parting of my Basma, and ending–as it all started–tragically, with my husband passing away in my arms.

In the aftermath of those irreplaceable losses, I found myself in a position of choosing between doing what is right as opposed to what is popular. I chose the former.

And in doing so, I also lost a great deal.

In the wake of these past six years, which seemed the longest of my life, yet shortest…

Years that have been tremendously challenging, yet rewarding…

In the outcome of the immense losses, I have found great gain…

In these years, I have grown and risen from the brinks of despair only to find hope and optimism…

And in this process, I have learned how much I can endure and persevere…

How much I can continue to give, receive, and carry on, even if that meant starting from scratch and rebuilding from square one.

And as I slowly emerge from this prolonged submersion, as I finally begin to catch my breath, as I start to settle in from all the chaos, and gradually quiet the noise surrounding everything that was once a part of me but now ceases to be…

I gradually wean myself off conventional notions and comfort zones and embark on a new path, a new life, trenching foreign ground where true colors bloomed into authentic bonds, and others dissolved into nothingness.

I have come to taste, feel, and touch the motions of recovery, the liberation of detoxification, and the freedom of sacred spaces, along with the comfort of solitude and learning diverse paths towards replenishing one’s energy.

Throughout this journey, I have come to discover my haven.

It is the harbor that I cannot identify as a single place, action, person, or object.

I have always found haven in my sons’ eyes, their smiles, in their happiness and joy.

I have found haven in old friendships and new ones alike, and all of which have never ceased to show up and stand tall.

I have found haven in the abundance of love with which my family continues to fuel my soul.

I am privileged to have found haven in the support from those I never expected, the many beautiful souls and countless faces that have touched my heart and blessed my life, regardless of the element of place where continents stand distances and oceans divide spaces.

Haven in the peacefulness of my powdery blue clad bedroom, perched on my dark blue armchair that sits in the far right corner beside the tall window that faces north.

Haven upon the gold colored padded mat, embroidered in arabesque designs, placed at the perfect angle towards Mecca, on which I kneel covered in my cotton cream wrap, my forehead to the ground whilst the call for sunrise prayer sounds euphoniously in the distant background.

Haven in my father’s memory, my eternal haven, my guardian angel…the soul of my soul and the heart of my heart.

These are all my havens and the refuge from all the mayhem.

However, my real haven lives in me…and it has emerged in the process of self-discovery, as I continue to recognize the fragments of myself that got lost as I traveled through the motions of existing, as I welcome and as I begin to realize who I am indeed.

In trusting my path and allowing it to merely be…knowing I am forever held, unceasingly cradled, and eternally supported.

I have found all these havens, in which I have come to witness how a world of love can guide a person safely back home.

Studio 14

Wendy Yellin Hill

Wendy Hill

The day I sign the lease for my very first painting studio – an enormous, double-storied space with four very large, and very empty, walls — I feel so utterly unqualified that I am sure the landlord sees the word “Fraud!” written in neon letters on my forehead. I mean, sure, I talk a good game: I chatter away at cocktails parties how I worked for the late, great Irving Penn (true), that I trained as a photographer in NYC (also true if training is tantamount to wandering around the East Village with a camera), and that I have “always” painted. But by “always” what I really mean is that I take an occasional painting class when my schedule (read: family) permits. The classes are sporadic — they are often cancelled due to weather — and I lack discipline. As I push paint around, hoping for a good result or a compliment from a succession of increasingly random art teachers, I know that I am going to leave my paintings behind when the semester ends.

I soon realize that I will never become a painter, at least not a good one, by attending 3-hour art classes at the local JCC standing elbow-to-elbow with octogenarians in comfortable shoes. The classes afford me neither the space nor the time to actualize what is in my head. Thus, I want a studio of my own. But, still. What business do I have renting a studio in a building filled with real artists? Who am I kidding? When I sign the lease my palms are sweaty. I try not to flinch when the landlord hands me the key, because at this point in my head-movie she’s laughing hysterically, ripping up my lease and kicking me out the door. In reality, she just smiles and shows me to Studio 14.

The tenant before me has left two couches so I sit down and look around. Those four very large and very empty walls look back. I try not to panic. I remind myself that this is what I want: my own painting studio. I beat down the urge to flee.

And then I notice something: how quiet it is. My panic subsides as I realize that I am the only person in the room. No other painters, no teachers, no husband or kids. Just me. My studio.

I can do whatever I want.

My first paintings are acrylics on 60” x 60” canvases. In art class, I oil painted on small canvases, but in my studio something is unleashed. I buy cases of super-sized canvases and big brushes. I buy tubs of the boldest and brightest paints I can find. I fill a spray bottle with water and start to experiment. My acrylics, heavy-duty, full-bodied and lush, become drippy and wild when sprayed with water. I paint, all day, every day. I paint huge flowers and then color fields. I paint from photos and from imagination. I paint people and then abstracts. I paint using only black. While I would love to tell you that every painting is fabulous and they all sell like hot cakes, neither is true. Yet what happens is even better. I start to learn. I begin to really see. I become immersed in what had previously eluded me: the process, the actual problem solving, of painting.

It has been two years since I opened the door to Studio 14. I now paint in a way I never dreamed possible. And as my skills have improved, so have I.

In my studio, my haven, I am now, unabashedly, a painter.

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Haven Winter Blog Series: My Haven

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Come wander in your words at a Haven Writing Retreat in 2018!

You don’t have to be a writer to come. Just a seeker who dearly longs for your voice.
Now Booking Haven I Retreats 2018! Click here for more info.

February 28-4
April 18-22
May 16-20
September 19-23
September 26-30
October 24-28

Every year I give my blog over to my Haven Writing Retreats alums for a week or so, and ask them to write on a theme. This year it’s this question: What is your haven and how do you show up for it?

Here is my answer.

My Haven

Heather Higinbotham

Heather Higinbotham

I’ve always had this dream of having a writing studio, an awesome and relaxing place where I could finally “be a writer.” It swirls around my subconscious like a familiar forgotten home: a cozy couch and fairy lights and teapot and library, a cool old writing desk and typewriter. Floor to ceiling picture windows, the snow whispering secrets outside. I’ve been daydreaming about this a lot lately, as I scramble from one life crisis to the next, scattered and stressed and having not picked up my journal in months.

I could make excuses about why I haven’t been writing, about how I don’t have the right writing spot, or the clutter on my desk hinders my mental clarity, or how life has been “soooo busy…” (eye roll). I could tell myself that someday I will be a real writer, once things settle down and I pay off my debt and start saving for my daughter’s college and can afford to spend my time on things that aren’t income generating.

I could, but I’m too tired of always operating from a place of scarcity. This has been my default for most of my life: never enough time, never enough money, never enough…anything.

This shifted for me a few years ago, when I unexpectedly found myself with an extra hour after an early morning run, before I had to get my daughter and me off to school and work. Something stopped me from my auto-pilot status quo, from doing what I should have—laundry, emails, something productive—and I made myself a cup of tea and sat on my back deck watching the sunrise. That was a luxury as a single mom working full time and attending grad school I could never afford myself.

I have started nearly every morning these past few years with my tea and mental white space. No matter the weather, no matter how early I have to wake up to gift myself this time. I don’t meditate, I don’t think about my to-do list. Sometimes I write. Sometimes I just sit. Almost without fail, by turning my brain off, my poems and words are suddenly clear and bursting to be let out into the world.

I now realize that my haven is not a physical place; it is a conscious choice. My haven is the simple act of breathing. Listening. Venting. Giving myself the space to not make my brain or body work, but to be curious and open about whatever my soul needs in this moment.

My haven is scraps of paper stashed in random places, stranded thoughts I don’t want to lose. I steal time at stoplights and stockpile words in every nook and cranny I can find. It is scribbled chicken scratch half written in dreams. My haven is fleeting at times, but always lingering in my periphery.

Most of all, my haven is learning to be gentle with myself. To know that no matter how crazy life gets, all I have to do is stop, and breathe, and remember that the time and space I need is up to me to choose.

Summoning the Owl

Michelle Roberts

Michelle Roberts

“Call on line two!” Phones still ringing.

“There’s a customer in the warehouse!” our manager announces from the doorway.

“I’m sorry. Could you repeat the credit card number? I couldn’t hear you.” Finger in my left ear.

In my twenties, I wouldn’t have believed that one day I’d be daydreaming about cubicles.

But working in an open office with three other salespeople, phones ringing and everyone talking at once, can make even half walls sound like a luxury.

As it is, two of our four walls don’t quite reach the ceiling, so the caveman intercom is our low-tech paging system.  Some days I don’t realize how noisy it is until my coworker turns off his small desk fan. The constant drone is only obvious in its absence.

A recent study found that two hours of silence led to cell recovery in the memory and emotional center of laboratory mice’s brains. There are days that I leave work needing more cell recovery than others.

Fortunately, my haven is just outside my front door. In our neighborhood, fourteen miles of walking trails wind around lakes bordered by century oaks.

I lace up my shoes with my head still buzzing like the desk fan. Blocks away and headed to Central Lake, my shoulders fall and my lower back loosens. My breath brings me back to my body as my mind clears. Instead of knots in my stomach, I feel the strength in the muscles of my hips and legs. The breeze along the lake is cotton on my skin.

Taking pictures of the same trees and bends in the trail, I capture the fading light at sunset as it glows through the Spanish Moss. No two photos are ever the same and it helps to see the beauty in the changing scenery. Reflecting on the fifteen years since we moved in, I can appreciate the differences in me. This is where I write. Each walk makes space for thoughts to come calling and the inspiration to enter. On especially magical days, the words are fully written by the time I reach my door.

By now it’s darker on the far side of the lake. Dusk is the perfect time to spot an owl, so I summon one. Over the years I’ve shared the trails with raccoons, birds, deer, a stray crawfish and a mother fox with the morning hunt still in her teeth. So often others pass without noticing their company, so I give them a special audience when they appear. These animal totems connect me to nature and the present moment, slowing my pace and my pulse.

Watching the trees, I hear him before I see him and, just as I’m passing, a Great Horned owl swoops across the trail to a branch high in the oaks. I stop. With only his silhouette visible against the sky, his head turns then faces me and I wait. Two runners with headphones speed past. My quiet deficit keeps me there. Soaking up the calm of standing still. When it’s time, in silence he flies across the lake and I continue on. In silence.

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Haven Winter Blog Series: My Haven

IMG_0007Come wander in your words at a Haven Writing Retreat in 2018!
You don’t have to be a writer to come. Just a seeker who dearly longs for your voice.

Now Booking Haven I Retreats for 2018: Click here for more info!

February 28-4
April 18-22
May 16-20
September 19-23
September 26-30
October 24-28

Every year I give my blog over to my Haven Writing Retreats alums for a week or so, and ask them to write on a theme. This year it’s this question: What is your haven and how do you show up for it? 

Here is my answer:

I spend so much of my time in community with people who love the written word, inspiring them with guided writing prompts and the pristine wilderness that Montana offers. I love it. I love the bonds they make, I love to actually witness them finding their unique voice, I love hearing their minds stretch and grow, I love the look in their eyes as we hug goodbye, I love hearing these words, “You have no idea how much Haven just changed my life.” 

When I decided to lead writing retreats and workshops, it only made sense to call it Haven. My writing life has always been just that. It’s where I go when I’m scared or curious or proud or in love with life. I go there every day, usually in the morning, with a cup of jasmine green tea, in a small bedroom with coffee-brown walls, a pale-lavender day bed, paintings and prints hung all over the walls, the chest that my father was laid upon when he was born, a few dented file cabinets, a closet filled with unpublished books…and an armoire placed in a bay window which holds my computer, a shelf of first edition books, quotes and photos and museum postcards on the inside of the armoire doors, which I keep open, guts out, just like the way it feels to write. It’s dark and messy in that little room. I like it that way.

But it wasn’t until I started writing in community that I understood how good it feels to be inside-out with other people who are willing to expose themselves too. People who love the written word aren’t really in it to stay in shallow water. They want to take deep dives into dark, cold water and they want to come up with something in their hand that they can use back on shore. And they’re willing to go as far as they can, scrape the rocky bottoms with their knuckles and even their faces, even if they use up every last bit of breath and come up bloodied and gasping for air. But there are cautionary tales to this sort of thing: once you’ve done that a few times, or even once, you’re either a junkie and want more, or you let your better sense take over and you tell yourself that warm shallow waters with soft see-through white-sandy bottoms are much easier. Or maybe you tell yourself that the shore is where you belong. You don’t swim. Not even a toe in. What you once held in your hand wasn’t worth it. Even though it was the best thing you’ve ever held in your hand in all your life. Maybe you stop going to the beach at all.

I’m the other way. I’m a junkie for that knuckle-scraping breathless dive and gasp. I don’t really know who I am without it. I don’t want to know. I haven’t ever let myself think about it. I don’t believe in writer’s block. I don’t know what it is to feel stuck in that way. Other places in my life, you bet. But not there. Even when it feels like it might be the final dive that leaves me swimming up to that light, knowing that there might not be enough breath left to get me back for the gasp, even if it feels like I’m going to drop what’s in my hand and it’s the most rare treasure I’ll ever find…I don’t know how not to live in this way. It is my haven. And I know that it’s not always good for me. At all. Warm shallow waters would be much better for me.

That’s when a gentle voice reminds me: you don’t have to do this alone. You can bring people with you who can help you back to the surface, or support you with oxygen, or tell you when you can dive deeper or when you’ve gone too far. You can have a boat waiting for you at the surface with warm towels and cheers for your bravery and maybe a good lunch. That’s what Haven Writing Retreats and Workshops do for people. And even though I lead it, I still get the chance to do some of the prompts and stretch my mind along with the others in the circle. I get to be with word lovers and wild thinkers and it inspires me to take that deep dive every day.

If you are on the beach watching, I say, come. I have a boat for you. If you are at the bottom of the sea, running out of breath, look up and keep swimming. Reach toward that oar. You don’t have to do this alone. Because even if you’re on the beach, longing to put your toe in, your longing is real. And I promise you: Your longing is worse than running out of breath.

How are you going to find your words, if you aren’t willing to dive for them? You don’t always come up bloody and gasping. Sometimes, it’s a dive of ease, and the sea delivers them to you, shining on a ready rock. But you won’t know if you stay there on the shore, wondering, wanting, longing, waiting.

If words are your haven, I have a place for you. I have treasure for you in Montana. I have people for you. Here are some of their words about their own personal havens, and how they show up for them, whether it’s writing or painting or horses or a place they hold dear. Please enjoy, and take heart: when you’ve longed for too long…it’s time to dive in and see what’s there for you. It might just change your life.

First posts coming your way tomorrow!

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The Junk Drawer Cleanse

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Now Booking Haven Writing Retreats 2018

You do NOT have to be a writer to come– just a seeker who loves the written word, and trusts the power of the wilderness of our Montana Haven to inspire the wilderness of your unique mind!  Come find your voice this February…  For more info, and to contact the Haven team, go here!  The best holiday gift I can imagine…

February 28-4 (a few spaces left)
April 18-22
May 16-20
September 19-23
September 26-30
October 24-28

In a pre-holiday purge this week, I dumped out my junk drawer.  It’s the little one in the kitchen by the stove where I put things that don’t belong anywhere in particular.  I only open this drawer to put things in it for later.  For later.  What is this mighty later?  From the story the contents of this drawer told me, the later lives despite these parts and pieces of our past.  And this past shrapnel just collects like lint until every single bit of what has been tumbled out of our lives becomes a throw-away…except what matters most.  So why even keep a drawer like this in the first place?

I stared at that pile of random stuff and I was frozen.  My son is going to college this year, and my nest is imminently empty.  It felt like every single one of those items needed to go back in that drawer by the stove, or my life would somehow be…as un-storied as it will be un-peopled.  If I put all of those pieces of our past into their appropriate places and got rid of the items that had no use at all, (like the god-knows-how-old lone Advil Liquid Gel), I would render the drawer empty. What would go in there now as I move into this later?  This unknown next chapter of my life.

To read the rest of the post, click here!

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Holidays Re-invented: A Spoon Funeral

Processed with VSCO with b1 presetHolidays are my haven, and not for reasons you’d imagine.  Sure, as a child it began with We Gather Together, and the Macy’s Day Parade, Santa Claus, and presents, and lunch under the Christmas tree at Marshall Fields, gingerbreadmen and sugar cookie iced snowflakes, listening to Bing Crosby by the fire and dreaming into the bright colored bulbs with blurred eyes—so that it all looked like a jewel-toned menagerie of the ultimate Christmas kiss.  That was all yes, magic.  But to me, the haven of it was in the people the holidays brought home.  Holidays meant that my people came back.  My sister and brother back from school.  Relatives in rooms we never used.  The living room and dining room came alive.  The house was full.  We were “the whole family.”

We prepared for those who would come, with those who came before them.  My mother would let me set the table with her grandmother’s soup porringers and aspic plates with gold edges framing forget-me-nots and cabbage roses.  She’d open cupboards that hung dormant all year until Thanksgiving, through to New Years, and pull shiny things from their shelves:

“These were your father’s mother’s Steuben crystal Teardrop Trumpet goblets.  Your grandfather gave these to her as a special Christmas gift in the 1930s.  They were farm people.  I’m sure he didn’t give her much at their wedding.  But by then he was the head engineer of a corn syrup factory.  Each of these is worth at least $150 a piece.  I’m not sure she ever used them.”  She’d hold each one like a tiny bird and wipe their rims with a soft cloth before she set them on the dining room table.

I wanted to touch them, but I didn’t dare.  She’d never let me get near them, but she would let me set out Aunt Eleanor’s silver.  I memorized the words she assigned to it:  Towle.  Old Georgian pattern from the 1800s, with ionic columns and rosebud wreaths.  My favorites were the teaspoons, with the roses running around the back of the spoon’s head.  I’d run my fingers over them and feel transported into other days before television and cars and airplanes that took big sisters and brothers away to boarding school and college, and fathers away on business trips.  The laying out of these shiny things meant that we’d be together around this table, our faces dancing in candlelight, the silver and china and crystal reflecting it all back.  The chandelier sending spectrums of starlight back down over us.  I watched a lot of faces in those spoons.IMG_9358

So for a long time, after I inherited these things, I kept them locked in a china cabinet, or hidden in boxes in eaves.  Then with our children still small, we built a house.  I fought for a dining room.  “We’ll be the family that uses it.  I promise!  We’ll have countless dinner parties and holiday soirees.”  And we did.  And I’d bring the shiny things out beforehand, telling my children the same stories, naming the names and wiping down these delicate surfaces as my mothers and mothers before me had, as I placed them on the table.

And then everything changed.

The man sitting at the head of the table no longer sat there, and I was thinking more about what I’d have to sell in order to keep the house, never mind what to put on the table.  There was a day when I stood in front of this china cabinet and thought, “They’d want me to sell that Steuben.  Wouldn’t they?  They’re resourceful farm people.  They’d want me to make my mortgage with their crystal.  Wouldn’t they?  I’ll become an Ebay wizard.  I’ll sell all of this stuff, even though every piece of it brings me back to my peopled world.”  Where I felt safe, and protected, loved and special.  That feeling was inside me, wasn’t it?  The three of us would still gather together.  It just wouldn’t be with two hundred year old plates that came to Illinois in a covered wagon during the Homestead Act, and then to Montana when my parents’ sold their home of forty-five years.  It just wouldn’t mean that we ate our turkey with the Towle, or stirred honey into our tea with the silver that was dug underground before the Yankees raided our ancestral home in Camden, Arkansas during the Civil War.  Aunt Eleanor’s rose-clad ionic columns would hold another hand steady in another room somewhere.  The shiny things would become our eyes dancing off of each other, not off of silver spoons.  And that would be okay.  My ancestors were house people.  They’d want me to do everything I could to keep it.

So one day when the kids were at school, I went into every eave, the attic, the dormant cabinets, took it all out, and splayed it on the dining room table.  My family story in shiny things.  I wanted to shake with silent wails.  But I shook it off instead.  I had to stop seeing these things for their stories and their people.  These were just things, after all.  Weren’t they?

I couldn’t think about it.  I had work to do.  I started to research the cost of it all.  Nine crystal bowls for my wedding that I’d never used?  Those would be the first things to go.  Actually, all of my wedding china and crystal and silver—that hurt me the most.  It had been chosen with such hope, such belief in the future.  Part of that future came.  Most of it didn’t.  I’d been saving my wedding china for the part that didn’t.  Most of the parties we’d had weren’t formal.  They happened around bonfires and in the living room with mugs of hot cider and breakable risks in semi-shiny things.

“I should save it for the kids,” I thought.  But how sick was that.  They’d be better off with the china and silver and crystal from the parents whose marriages lasted, and whose tables were peopled in the way they’d set out to create.  “I’ll sell the wedding china.  And the crystal.  That’ll take care of another mortgage payment until I can get on my feet.”

Processed with VSCO with b5 presetBut when I got to Aunt Eleanor’s silver, the ionic columns and the rose wreaths, I ran my finger over the back of the spoon head, and sighed.  Aunt Eleanor hadn’t had children.  Aunt Eleanor had given me my first Emily Dickinson.  Aunt Eleanor had travelled the world and taught me to love stories of the finer things.  And she had passed these down to me, along with a farm—the original Homestead.  I owned those two things.  And I decided then that I would not sell them.  They were the comfort, the security of my people, long gone, but still dancing in these spoons if I looked closely enough, if I looked in just the right way.

It turned out that didn’t sell any of it.  I asked myself a different question, instead:  “what do I know how to do that I can monetize without selling my legacy?”  And I gave myself permission to create a business out of what I’d spent my adult life mastering—and started facilitating people’s creative self-expression by using what had sustained me all my life:  the written word.  Out of the ashes, as it were, rose Haven Writing Retreats.  So it makes sense then, that I use my shiny, storied things on my retreats.  New people around this table, lips to Steuben as they tell their stories, real and imagined.  Lifting my homemade food to their mouths with my Aunt Eleanor’s Towle as they think-tank their books and characters.  Share about their process and projects– new faces spinning in the silver, refracted by the chandelier that hangs above us.  The dining room is alive again!

But on my last retreat, ‘tis true:  a spoon was lost.  A Towle teaspoon.  I’m sure it was an honest mistake.  My mother used to count her silver after a dinner party, and often ended up rifling through the garbage in search of lost silverware.  I found myself doing the same that night, after all the candles were blown out and the good day spent from word play and the people too for the same reason.  Alas, no spoon.

And there was a time when I think I would have cried about it.  Bemoaned this loss.  Felt less secure because of it.  Or like an irresponsible person who shouldn’t be handling the shiny things, no matter what her age.  My mind parading with, I should have left them in the shiny suburbs of Chicago where they would have survived.  Not my Montana life, which came with a bit of country road dust on it.  There was a time that I might have just given it a damn…spoon funeral.  I’m not kidding.  You’d give your goldfish a funeral, wouldn’t you?

But it wasn’t that way at all.

Instead, I took in a short breath and a shorter sigh.  One less spoon.  If I could fill my dining room with such brilliant minds and open hearts and a spate of candlelight flickering off smiles and so many glittering surfaces, it was worth losing a piece of shiny something every time until there was nothing left.  Because what matters is what is gathered:  the people.  The people.  The elegance:  their minds.  Their hearts.Processed with VSCO with b5 preset

So this holiday season, my children and I will gather with yes, our shiny things, less a spoon.  But this year, it all won’t be so cold and dusty and faraway when we bring it to the table.  It will be recently used.  Maybe a little tarnished from being out in the air.  And maybe even chipped or without their perfect placing.  But they will hold new stories.  New people.  New hope.  New future.

A spoon funeral?  The funeral that the spoon inspired was instead for my old life.  And it came with no great pageantry.  Rather, a short sigh.  Because three out of four of us are where we are used to being for the holidays.  We are grateful.  We are blessed.  We are family.  Shiny things or not.

Now Booking Haven Writing Retreats 2018

You do NOT have to be a writer to come– just a seeker who loves the written word, and trusts the power of the wilderness of our Montana Haven to inspire the wilderness of your unique mind!  Come find your voice this February…  For more info, and to contact the Haven team, go here!

February 28-4 (a few spaces left)
April 18-22
May 16-20
September 19-23
September 26-30
October 3-7 & October 24-28

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A Summer Personal Writing Retreat: Turning your home into your sanctuary

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Say you want to write.  Say you dream of  a cabin in the woods like the one in this photo. With a little creek running through. A vegetable garden. And a writing table. No internet. No phone. A fireplace and a screened porch with a comfy bed and lots of pillows. If you looked at my Montana home, you might think my life is already pretty much like that. And if I put my house on VRBO and wrote: “Writer’s Cabin in Montana,” I would probably get some renters who are taking a break from their lives to write in just this dream I dream.

Real life houses, however, usually hold too many of our responsibilities for that kind of quiet sanctuary. There are too many plugged-in things that demand our attention. And often, too many people who need us. Bottom line for me right now: my life doesn’t lend itself to that kind of exodus. I signed up for this life and I wouldn’t wish away one drop of it. To everything there is a season, and in this season of my life I am writing three books on top of preparing my son for college, and his typical baseball rigor. Add to that the full time job of running my Haven Retreats. Enjoying a little summer in Montana on my horse and on the hiking trails would be nice too!  But how to find the time to write?

So rather than complain, or become resentful, or run myself ragged and end up flunking in every pursuit…I’ve developed a plan, and so far, it’s working. No matter what you’d do in a cabin in the woods alone this summer, regardless of what your life’s responsibilities are like…see if any of this regime could work for you in your current daily schedule (or maybe on weekends)  in the way of weaving dreams into realities, right where you are.  Some of my method might surprise you.  And what might not:  there’s a lot of writing involved. Writing grounds us, and a personal regime like this begs you to put pen to paper, and heart to words.  A personal writing retreat might just be exactly what you need, whether or not you are a writer.

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Daily: (when possible)
1) Sleep in. And I mean late. Like til 10:00. You’ll likely wake up around 7:00, but challenge yourself to stay in bed for a few more hours in a sort of wakeful trance. Eyes closed. Mindful of your breathing. Letting the thoughts come in, but not land unless they feel natural and part of the pure flow that is your true nature. Breathe into them. It’s okay if you fall asleep. You’ll probably work with those thoughts in your dream state and wake up with a clean, whole, gumption of some sort. Take this gumption and write about it. I swear, this morning meditation is where all the good ideas are.  (Of course you may have something called a “day job” or children…but at least take a day a week if at all possible, and give this morning meditation a whirl.   Consider it an essential part of your personal retreat regime.)
2) Still in bed…once those ideas come, and don’t force them, take in a deep breath, write the first line in your mind, (but not the second—trust that it will come and you’ll want to be at your writing desk when it does), grab your bathrobe, and go directly to your desk.
3) DO NOT CHECK YOUR EMAIL. Not for one itty bitty second. Or God forbid, Facebook. Do not poison what must be pure, and what you have just hatched by your morning meditation.
4) Write the first line.
5) Then go make a smoothie. I have a Nutra-bullet, and I love it. I have on hand: frozen organic fruit like mango, blueberries, peaches, pineapples, coconut milk, flax seeds, fresh baby greens, and a banana. The banana makes it. It’s a green drink that tastes like heaven. Keep that one line working in you as you make your smoothie. I timed myself this morning: it took six minutes. No good idea will disappear in six minutes. You absolutely must nourish yourself.
6) With smoothie in hand, (and maybe tea or coffee as well), go back to your desk. Then give yourself two hours. At least. Two hours at your desk, writing. I repeat…do NOT go on the internet. Not for one nano-second. Even to research something for whatever it is you are writing. You do not want to end up buying boots when you are supposed to be working that meditation-hatched gumption into form!
7) Noon-ish. Now take a break. Make lunch. Sit somewhere and let go of the thoughts. Notice the world around you. Sit outside if you can. Watch birds. If your head is busy, start counting the birds you see to keep the thoughts from taking over. I’ve counted a lot of birds. Amazing what you notice when you break life down to winged things.
8) Now take a walk. This is the best way to let everything you have experienced today work through you. Something always happens when I take a walk. Allow something to happen. Maybe you come up with a new idea. Maybe you decide that what you wrote this morning is really just a warm up for something else that is more white hot inside you.
9) On your walk, if you really get cooking, try this: Interview yourself, as if you are on a national morning show like the Today Show. Ask yourself driving questions about the thing you wrote this morning. Things like: “What is your piece about?” “What’s at stake for your characters?” “What made you want to write it?” “What’s in it for the reader?” “What’s in it for you?”  Answer your questions using honed responses like you’d hear on TV. These are your talking points. Once you get them, go home as fast as you can and write them down. Or, in anticipation of this, bring along a notebook or a pad of paper. I don’t like to do that because it puts pressure on what could just be a perfectly good walk that doesn’t need to get all white hot. More of a processing walk. But mine usually run white hot. (Dirty secret: I have been interviewing myself for the Today Show since I was a little girl. That means I’ve been interviewed by Jane Pauley hundreds of times!)
10) Now return to what you wrote and read through it keeping those talking points in mind. They will be your guide in the progression of this piece, wherever it may go.
11) Or maybe you nailed it in two hours this morning and it’s ready to put on your blog, or pitch to a magazine or newspaper. But if you’re like 99.9% of the rest of us writers, you likely have more work to do. And that’s good news. Because you can control the work and just about nothing else about the writing life. With the exception of the last 10 ablutions.
NOW…plug in, do your laundry, pay your bills, go to the grocery store…
Bonus ablutions:
12) If you want to write more and you have the time, go for it! But set yourself up for completion by starting small with those two pure hours.
13) Print out what you wrote at the end of the day, draw a bath, and read it out loud to yourself with a good pen. Mark it up.
14) Start the next day the same way, only now you can meditate on the piece you started and take it further.
15) Begin by plugging in your edits from the night before and you…are…IN!
16) Have fun! In the words of Walter Wellesley “Red” Smith, “Writing is easy. You just open a vein and bleed.”

17) Rinse repeat…

Bleeding, then, can have a method to its madness. And creating a “room of your own” right where you live is entirely possible.

If you would like to take a break this fall and live the writer’s life in the woods of Montana, find community, find your voice, and maybe even find yourself…check out this video and info, and email the Haven Writing Retreat Team asap to set up a phone call!

September 6-10 (FULL)
September 20-24 (a few spaces left)
October 4-8 (FULL)
October 18-22 (a few spaces left)

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The Color of Wonder: Stop Expecting. Start Receiving.

loveI remember the first time it happened.  I was five and we were at Disneyworld and there it was:  Cinderella’s castle, right in front of me! The towering glistening lavender place where dreams were made.  I broke free from my parents’ hands, and I ran into what was sure to be the most enchanted, world of wonder ever!  The Magic Kingdom was going to deliver me my first slice of real magic.  But wait!  What’s this tunnel?  I’m on the other side of the castle!  Where are the crystal chandeliers and the marble ballrooms and the gold ceilings and the mice-turned-coachmen?  The whole thing was a Disney-spun ruse!  If castles were fake, then maybe princesses were too.  But what about dreams?  Was Jiminy Cricket full of it?

The next time it happened was in New York City.  Broadway!  I was ten and my parents were taking me to Annie.  I’d memorized every word of it.  Annie was a dreamer.  She believed in infinite possibility– that she…she was special enough to have all her dreams come true.  Seeing her live would mean that I could believe that too.  And the voice of those dreams:  Andrea McCardle.  She was my hero.  I was going to be Annie one day.  Somehow.  I wanted to be the deliverer of that supreme message.  Andrea had a cold that day.  Understudy.  But I did see Patti Lupone in Evita.  I didn’t cry for Argentina.  I was too young to get it.  I wanted to dream about Tomorrow with a raspy redhead.  But more and more, dreaming seemed like a gamble.  And judging by the bit parts I got in the community theater shows, maybe being a Broadway actress wasn’t quite it.

Then in 1983, I went to see the movie Flashdance.  That angsty dancer in leg-warmers was me!  (Proverbially speaking– pigeon-toed kids with scoliosis probably wouldn’t have flash-dancing in their future.)  But the rest of it?  Yes, please!  I would live in a loft like that and do whatever it took, weld even, to go after my dream.  So what if dreaming was a gamble?  It was worth it.  I just wasn’t sure yet what dream I should dream, and I knew that I had better figure it out fast.  When these words came, they slayed me:  “If you lose your dream, you’re dead.”  Not me.  That wasn’t going to happen.  Whatever it was, I was going to dream a big one, even if the castles were fake and heroes got colds and you had to live in Pittsburgh.  I was not going to die that death.  But if not acting…then what?  I started to dig deeply into spirituality.  Seemed that the Divine would have some answers.

In 1987, I took trains through a Yugoslavia on the brink of revolution, to the Blue Mosque in Istanbul.  I was obsessed with ceramic tiles and I was told that exact color blue existed nowhere but there…and that it was one of the most sacred, inspiring places on earth.  I ascended those steps, ready to cover my head and slip off my shoes to behold this ancient sacred blue and yes, dreamy, place.  The mosque was closed.  Renovation.  We didn’t have the internet so who knew anything prior to anything back then?  I was crushed.  Was I looking in all the wrong places?  I spent the afternoon sitting on the ground next to the mosque, writing in my journal, and what came out appeared a lot like what you’d find in the pages of a novel about a young woman with undreamed dreams.  I looked up into the minarets, not unlike Cinderella’s castle, and thought:  Maybe I could write books.  Yes.  Books.  I’d found it.  And it wasn’t blue or red.  It was the color of Wonder in the written word.

The same year, I went to the Sistine Chapel to see the Creation of Adam.  I wanted to see what God’s finger looked like when He pointed to humanity and breathed it to life, still more soul than flesh.  That surely must be what it took to be a writer—on both sides of those fingers– the constant act of co-creating with the Divine.  That’s what I would spend my life trying to accomplish.  I would wander in this wonder, and I would use words to do it.  There it was again:  ristrutturazione.  Renovation.  Scaffolding.  Over one panel.  That one.  But I bought a postcard of God’s finger almost touching Adam’s.  Still have it.  It lives under my keyboard, where I write.  It’s getting a little ratty, but it still breathes life into my muse, I like to think.

Skip ahead a few more years, and along came the children.  I did everything I could to pass this wonder gene to them, in whatever form I could.  Disney had failed me, so I figured nature was a good place to start.  Our life in Montana served up wonder over and over and they received it, so we took it on the road.  We went camping in Patagonia, Arizona, to see the Elegant Trogon bird.  Each of us with our day packs and binoculars, and me with my Sibleys, we stalked through the forests slowly, all day.  Saw a lot of people looking for the Elegant Trogon bird.  But no Elegant Trogons.  The next year, we went to Belize to see Howler monkeys, looked up at breakfast and there were eight Elegant Trogons perched in the tree above us.  We didn’t see Howler monkeys.  But we heard them.  Family joke goes:   If you want birds, look for monkeys.  Works every time.  My kids were well on their wonder-ful way.  They knew that the expectation wasn’t the end game.  The wonder was.

But when it came to the girl at the Blue Mosque, things were getting dire.  She hadn’t had the kind of publishing success she’d coveted.  In short, she’d sung a lot of Tomorrows, and had learned all about crying for her inner Argentina.  Book after book.  Rejection after rejection.  And the postcard wasn’t working.  My muse was under renovation.  I was losing steam.  My dreams hurt, deeply, and wonder hurt worse:  Should I just give up?  Weren’t dreamers owed anything?  Were there not only no promises, but were dreams actually bad for us?  Did dreams need to die after all?  I wanted them to live!  I wanted to sing my song on the page and have it land in hearts and yes…take my bow!  Was Flashdance just another ruse?  In short, I was bereft.  But there was one moment when I felt that finger pointing at me, saying No.  Never.  Not you.6e5bfbb430043970037181278e86c52a

It was that same year in Belize, and I was in a little art gallery on Ambergris Key.  I walked around that art gallery thinking, Maybe I need a new image to put under my keyboard.  And then I looked down.  There was a print of what looked like a marble Greek goddess with wings, holding her skirts apart, revealing the words Breathe.  Believe.  Receive.  It’s all happening.  I bought the print.  Hung it on my wall by my bed, this time, so I could see it in plain light.  I looked at it every morning and every night for years, and I spoke those words aloud.  And I kept writing books.  I breathed.  I believed.  I received.  I received the joy of creating and let go of where my writing landed.  I received the breath and breathed it back and deemed that the ultimate life:  doing the work.  That was all I could control.  Whatever this “it” was that was “happening”…was a mystery, and the part I could understand was the part where I sat down and wrote.  And wrote and wrote.  But this time…surrendered.

And then…”it” all happened.  Five years later, that girl who wanted to be Annie, got her version of “it.”  But the “it” was very different than it was all those years ago.  The “it” was what I brought to my writing desk every day, even though now the publishing world brought that “it” to the hearts and minds of people around the world.  And for that “it” I will be eternally grateful.  But even if they hadn’t…I still have my “it.”  My dream is in the doing. That’s the color of wonder I paint with every day, and that’s what breathes my muse alive.

Just don’t tell that girl sitting at the Blue Mosque how long it will take.  Or she might stop.  But do tell her that she would have made a terrible Annie.  Some dreams are better left as just that.

Do you want to wander in your wonder with words?  I am now booking my fall 2017 Haven Writing Retreats!  Come to Montana and receive…

September 6-10 (still room)
September 20-24 (a few spaces left)
October 4-8 (FULL)
October 18-22 (still room)

 

 

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Mentoring Muses

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If you want to see pure passion in action, click here!

KATE’S GO FUND ME DRIVE IS A SMASHING SUCCESS!  THANKS TO ALL WHO CONTRIBUTED!  Now for Haven to hold her muse!

Do you ever meet a young person and think:

That’s me. Decades ago. I can see their heart and their passion and the very real struggle ahead of them. And I know an excellent cure!

And then you reflect on your life:

It took me until now to find it– it took me years and years of brutal searching and suffering. If only they would do this one thing NOW, instead of wait…  How can I save them that long slog? How can I watch them struggle when I know there’s a solution right in front of them? And why does it have to come down to money?

Years ago, I served as a local judge for a national student’s writing contest here in Whitefish, Montana. Year after year,  from elementary school to middle school, and finally high school…there was one writer whose work leapt off the page and into my heart. The authors’ names were kept secret, but I couldn’t help but open her entry, read a few sentences, and think, I bet that’s her again. I can hear her voice. It’s growing and getting better. Good for her! As much as I considered all of the entrants, she was the winner. She had to be. She was that good.

I yearned to mentor her, yet I had to remain anonymous. Still I’d go to the award ceremonies and privately cheer her on, just to see her in body, not only muse. She truly shone– a town golden girl. Eventually, I heard that she’d been one of the rare ones who’d gone off to the Ivies back East. They, I’m sure, courted and cajoled her, and I wondered if she’d forget about her writing once she got to the land of such spit and shine. I knew full well what that life inspires. I’d lived it. And I’d left it because I knew that if I stayed in that world, I’d never be true to my muse. And I’d probably never be successful by society’s standards, either. Still…I had to heed the call, and to do so, I headed west– found myself in the very town she’d eventually launch from. Mostly, I wondered if she’d forget her muse and her Montana and give herself to all of those brass rings.

And then one night this spring, I went to our local Whitefish Review launch to hear one of my favorite all time writers (and friend) David James Duncan speak, walked in to the venue, and there on a stool, reading with poise and passion…was…

Kate:
…I met author Laura Munson, officially, at Casey’s Bar in Whitefish, Montana several weeks ago. We were at a release party for The Whitefish Review, a reputable journal based in Whitefish. I’d been accepted for publication and was reading part of my story. After shakily sharing my words with the crowd, Laura embraced me. “I’ve read your work since the beginning,” she said. She’d been the secret judge of all of those writing contests, the ones I entered every year as a child. “Here you are.”

There I was. After the reading, Laura and I kept in touch. She shared her story. She validated mine. Her Haven retreats, nationally known and highly respected, emerge from her own story of the pursuit of words, one that feels similar to mine. Laura herself gave up the hallmarks of the east, the shininess of ambition, to come to Whitefish and write. Her retreats scrutinize what is powerful; they encourage conviction. They work mindfully and rigorously through the art of retreating within, and telling a story, and sharing one’s particular voice.

When she suggested that I attend her retreat in June, I felt honored. I felt once again, for the thousandth time, that curious emotion of surprise: “If I was still in New York….”  I said I would come.  But I had no idea how…

Laura:  

It was true.  Kate had stopped writing.  And then the shininess became un-shiny, and after enduring an abusive relationship, she bravely returned to her roots, this time in another small, vibrant Montana town.  I am thrilled to say that she is writing her first book about…you guessed it:  Montana.  Needless to say…I want her at Haven.  It is exactly what she needs.  I know it the way I knew her muse all those years ago.  Haven would be the very thing to set her up emotionally, psychologically, craft-wise, and project-wise to have the writing support, mentorship, and community that she deserves.  I am holding a space for her in June, but it comes down to cost.  The Haven Foundation has given her a substantial scholarship, and now she needs help raising the rest of her tuition.  No one likes to ask for money, and she is the last one to even consider it.  I have encouraged her to start a crowd-funding campaign on Go Fund Me.  Please…if you have ever looked a young person in the eyes and thought…I am she/he…consider donating whatever feels right, to her cause.  

Thank you from the bottom of my heart, (and Kate’s too),

Laura

To donate to Kate’s fund, click here!

To donate to future scholarship funds for Haven Writing Retreat attendees, contact Laura@lauramunsonauthor.com

The Haven Writing Retreat 2017 Schedule:

June 7-11 (one space left)
June 21-25 (one space left)
September 6-10
September 20-24
October 4-8
October 18-22

For more info, and to set up a call with the Haven Team, click here!

Also, I’d like to use this page as a forum in the comments section:  if there is any young person you know who is raising funds for their dreams to come true, add them there, and hopefully we can be the village to help our next generation bloom into their wildest dreams.

 

 

 

 

 

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Learning How to Ask (and receive)

If you’ve wondered what is behind the scenes at a Haven Writing Retreat…watch this video:

What Haven is all about.  Click Here to watch video!

Click here to watch the video!

A word on learning how to ask for what you need… (as featured on Thrive Global)

You hear this message in different word arrangements from different wisdom spinners, including your grandmother:  what goes around comes around, succor life and it will succor you, practice right actionbe of service.  I come from Midwestern farm stock and I’ve been grandmothered into this message from the beginning, as stalwart and straight forward as a row of corn.  I watched my mother and father live by it, and I paid attention.  But it wasn’t until my fourth decade that I realized that it was actually driving the essence of who I am.

It happened one day, a very bad day, when my world was being met with rejection on every front—marriage, career, teens…  And I sat in my office staring at a blank screen, thinking, Why do I do this writing thing with such devotion and fervor, and for so many years?  Nobody asked me to do it.  It’s financially counter-intuitive.  And it’s damn hard!  And out of my fingers poured these words:  “I write to shine a light on a dim or otherwise pitch black corner to provide relief for myself and others.”  There it was:  Service.  Service to others.  And service to myself.  Huh.  My career started approximately 24 hours later.

You see, that one line was the defining moment when I held the mirror up to my heart, my intention, my intuition, my passion—everything that drove me…and staked my claim on it all.  This is what I’m made of, and why I can continue my writing life, regardless of promises.  That was my service to self:  getting perfectly clear about what makes me tick.  And so it makes sense that in only five years, I was not just writing out of service from my little office in Montana, but actually sharing what had held my muse with hundreds of people in my neck of the woods.  People from all over the world, coming here, to work with me, and be of service to their muses.  And yes, consequently, to others, in community, and with all laud and honor to the written word.  The ripples of have been the most life-affirming endeavor I’ve known outside of motherhood.  And this branch of my career has stabilized my life and brought with it great richness, and opportunities.  But there were a few missing pieces in my business that required help.  Big help.  Help I had no idea how to ask for.  So I didn’t.

One thing that my grandmother would never have said to me, or modeled, or urged me to sew into my modus operandi, was ask and you shall receive That one was skipped over.  You didn’t ask.  You served.  And you didn’t serve to get anything back.  You served because that was the right thing to do.  Period.  Sure, giving the shirt off your back had its perks.  Someone might do something nice for you, and you’d receive that gracefully and with the appropriate card stock and your best cursive.  But ask?  Uh-uh.

So here’s what happened:  Anyone who has a business these days knows they should have a website, and what’s the most powerful tool on that website?  A really great professional video that nails what your business is all about.  Fawning, swooning, oozing testimonials don’t hurt.  But it’s the moving, speaking, feeling humans that tell the story of what it is that you do…that really seals the deal.  Everyone told me:  “You need a video.  A really good one.  Professional.  With drones and stuff.”  The problem was:  I lead very intimate, private, gatherings of seekers who do my retreats and workshops to leave the world of moving and shaking and being on the hot seat or in the fish bowl, very deliberately behind.  And bringing a videographer into the equation felt incongruent with the safe haven I promise.  In fact, it’s called Haven Writing Retreats.  I try to be only of service to my clients.  To ask nothing of them other than to put their hearts in their hands, check whatever currency they possess outside of their ability to be honest, kind, supportive, and wildly creative…at the door.  I don’t ask them to fill out evaluations at the end.  There’s no gift shop.  No T-shirt.  No mug.  No incentivized marketing scheme.  If anything, I’m chasing them out the door with writing prompts!  But man…it was true…a video would really help me get the word out, both as a service to those whose lives  could be changed by this experience, and to me too, as a business woman.  It’s a lot of work to find the right 100 people a year to come to Montana for this deep, reflective experience, and I knew that a powerful video would be a great tool to build those bridges.  But ethically…I just couldn’t bring myself to do it.

And then something happened that has changed my faith in the world.  I was sitting at the dinner table with my February 2017 Haven group.  It was my advanced Haven II program for alums of the retreat, (for which you don’t have to be a writer to attend), who are now dedicated to finishing books, soon, and with the support of my Haven method and the group.  It was the last night.  We’d dug deep, we were all as tired as we were alive with new breath and new beating hearts.  They were talking so eloquently about their experience, and about the future, a reunion, how they were going to fight for it all, especially each other’s books.  And they were saying things like “How can we help you, Laura?”  

Haven Writing Retreats

Click here for more info and to set up a call to talk about your creative journey…

Even though I fought it, tears broke from my eyes and slid down my cheeks, and I hoped they wouldn’t see it in the candlelight.  But they did.  I confessed.  But I did not ask.  I spoke to my needs.  “I need Haven.  For my own writing.  And I can’t find anything like it anywhere.”  And then these words slipped out:  “And I need a way for people to know just what this program is all about.”

The next day, there came a surprise.  The women had talked.  “We’ve all agreed that you need a professional video.  We’re filming it tomorrow morning instead of you taking us out for breakfast.  We’ll eat before.  We’re giving testimonials.  You’re getting interviewed.  It’s our gift.” 

Everything in me wanted to say noI can’t.  Thank you…but…

“And we also want you to come to our reunion.  Not as the teacher.  But as one of us.  We’ll teach each other using the Haven method.  And you’ll get to receive what you’ve created!” 

I looked into each of their eyes to see if there was any reserve from any of them.  They were all beaming and nodding.  And suddenly I was too. 

Haven Writing RetreatsIn a symphony I could never have orchestrated, one of the attendees made a phone call, and the next morning she showed up with two videographers who’d driven two and a half hours in a snowstorm.  They set up professional lights and cameras on tripods.  All I had to do was straighten a few pillows and put a little make up on.  And the rest of them arrived, smiling and beaming.  I could go on and on about the blessing of that day.  The gratitude circle that one of them suggested—the way each of them honored each other, one by one, sharing words of thanks.  How they each offered testimonials and discussed what makes Haven so special.  I have never been more speechless, more touched, more grateful.

Thanks to these loving women!

Thanks to these loving women!

And here’s the thing:  I didn’t have to ask.  Instead, I watched service whip around the woods of Montana and land in the palms of my grateful hands.  Thank you to everyone who has shared their Haven experience over the years with others, and especially to these incredible angels at my table.  Ripple on! 

Please watch the video at the top of this post, and if you like what you see, please share with anyone you know who is looking for their voice, loves the written word, who has a book project in them, or simply needs to reclaim the heart of who they are…in the woods of Montana.  Sometimes…you do need to ask.  I’m trying to learn how.

Now Booking 2017 Haven Writing Retreats

June 7-11 (a few spots left)
June 21-25 (one spot left)
September 6-10
September 20-24
October 4-8
October 18-22

Film credits to Thomas Kurdy and his Ndigena video production

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