A Look Into Self-publishing

People have asked me over and over why I’ve written so many books and never considered self-publishing.  I think the answer was really just this:  I was chicken.  Sure, I said I was attached to the idea of traditional publishing.  I wanted that status.  That support.  That level of editing and publicity.  That “institutional” backing and affiliation.  Eventually, I got all that in spades.  It was an embarassment of riches, really and I am so grateful to the great Amy Einhorn at Putnam and the wonderful publicity and marketing team at Penguin.   I love my agent and I treat her better than I do most of my best friends.  I like the feeling of people being For me and these people were just that.  They believed in my book and my message.  But every-so-often I wonder what would happen if I slapped one of my novels on Amazon and flew solo.  I admire people who take that tack.  But I admit to still being a chicken.

I have a friend who is NOT a chicken and we have had some interesting conversations about self-publishing.  I’d like to share our question and answer with you.  Feel free to ask her about her experience.  She has written a beautiful book, and I’m happy to introduce you to my friend, Brigetta Schwaiger.

Book Description:

Anna Broxton’s marriage to the top Tommy John surgeon in the West and their idyllic ranch life in the Flathead Valley of Montana makes most women envy her. That is, until one simple moment changes her family forever.

Unable to bear the presence of her once adored husband, she abandons her life and finds “her nowhere” a small organic farm on the Southern tip of Sweden. There, she tills the soil, plants seeds, learns to pickle cucumbers, and fights her attraction to a younger man.

Her unlikely friendships with two unique women awaken her to suffering other than her own and help her face her part in the tragedy. She returns home to find her husband has found his own nowhere and must fight for whatever love remains in the gaps of their shattered family.

“Her Nowhere” is a tearjerker about relationships and what they can survive—if we let them. It is appropriate for book club discussion about our own unique tragedies, how we respond to them, how they shape us, humanitarianism, organic farming, and the imperfection of motherhood.

Why did you decide to self publish?

I always wanted to write a novel, but there was some fear in me associated with that dream. So, for many years I just didn’t do it. I thought it would be too hard to get it published so I just didn’t invest the time. For me, it was freeing to choose to write regardless if there would be any recognition or possiblility of publication or any monetary compensation. I wanted to write it because life is just a vapor so why not choose your dreams while you can.

When I finished and let a couple of family members and friends read it, they were very responsive and loved the story. I began the process of researching agents, contructing perfect query letters, sending them, waiting for responses and it became a full time job. I have four children and honestly, it seemed like a waste of my time. Like I was parading myself when perhaps nobody was even watching.

So, I tucked my novel away in the corner of my desktop and left it alone for a few years. One day, I was inspired to come back to it and re-read and edit once again. I found that I loved the story and knew it should be shared. I started researching ebook publishing. I realized it was something I could control and I’d been hearing that even when a big house picked up your work, you ended up doing most of the promotion anyway.  It was a way to get my book off of my desktop and offer it to whoever might want to read it. Simple as that.

 

How did your move to Montana from California inspire your writing?

That’s such a good question because it had everything to do with my writing. I always say Montana gave me the space I needed to write and create. In California (and I love my home state and my peeps there) it was just crowded, squished, noisy. And I never realized how it adds unknown stress until I moved to Montana. It also helped that I didn’t know a soul here when we first moved. My characters in Her Nowhere were my first companions in Montana.

What was the process like logistically?

I won’t lie. It’s a lot of work and you have to be committed to editing, finding good readers to edit, researching best ways to create covers, learning how to format your text, then checking and double checking. Mostly its a lot of researching online and learning from others who have done it. There is help out there, but you have to take the time to find it, read it, and apply.

What has the response been so far?

It has been incredible. My sister’s friend read it and said- “It’s my favorite book of all time. I want a signed hard copy. If it was in print, I would give it to everyone I know. It is so healing with all the loss I’ve had in my life.”  And I thought- That’s my hope. So if it’s just for her, just for one, then that’s enough.

An Amazon review from Sue Keating said, “Anyone who was lost and found will relate to this novel. Well written and plot driven, Anna is lost, found and redeemed. A global book that affirms that giving is the best way to receive.”

Another reader stayed up until three in the morning reading it on the cracked screen of her  iPhone. Love that! People are telling me that once they start it, they can’t put it down. But, I also get some complaints about puffy eyes the next day. Or readers looking like they’ve been beat up. It’s a real tear jerker. Within the first two days it was in the top fifteen in the Paid Kindle Drama Category and at one point was number one on the Hot New Releases in Dramas.

What have you learned so far?  What advice would you give a writer who is at the beginning of the self-publishing process.

If a writer knows self-publishing is for them, they should read through Kindle Direct Publishing’s information first. Become familiar with formatting on .doc, which converts easily to the Kindle. If you format it right the first time, it can save you a lot time. I’d also tell them to look through the covers on Amazon and pay attention to the images that catch their eye. A good cover is very important.  I’m a photographer and have enough experience on Photoshop that I was able to create my own, but you may want to hire someone if you don’t have those skills.  And make sure you edit, edit, edit, then upload it and read it through on your ebook device to search for weird formatting issues and typos. Also, have a few close friends read it on their ebook device too. Then, you can make any corrections needed before you start publicizing. There are many self-published books with a ton of grammatical errors and typos. You don’t want to be one of those.

How much time do you find yourself doing promotion—Facebook, Twitter, website, mailings, blogging, etc.?

It is time consuming, but I haven’t kept track because I practically live on Facebook and Twitter and on the blogs already. I am co-owner of a New Media Company called FlyGirls Media (www.FlyGirlsMedia.com) and we run social media campaigns and workshops for clients. So, this part comes naturally to me. I started in social media with a mom blog I’ve written for over three years now. I recently took a six month break, but I missed it so I’m back at it. You can find me at www.TransparentMama.Blogspot.com.

Have you been able to land any media on your own?  Have you (or are you considering) hiring a publicist?

I won’t hire a publicist. I will focus on promoting through social media, Facebook Ads, and my good friends who will introduce me to the readers of their blogs. I am also taking advantage of the KDP Select program. It is a program through Kindle Direct Publishing that allows you five free promotional days over a 90 day period. The catch is that you have to be exclusively with them for 90 days and you become part of their lending library. My first promotional day on Amazon is this Saturday (5.18.12). My book will be offered for free that entire day and hopefully gain some valuable exposure.

Talk to me about this oft dreaded word “Platform” that the publishing world now basically requires before they’ll take a risk on an unknown writer.  Do you think you need that platform with self-publishing?

That remains to be seen. I don’t know. It’s such a hard thing because fiction writers are often holed up writing alone so it’s difficult to develop a platform before anyone has seen their work. I’m hoping this first book will show its worth and THAT will give me a platform.

Thank you, Brigetta!  See you on the baseball fields and best of luck to you!

Bio:

Brigetta is a writer, photographer, blogger, and co-owner of FlyGirls Media, LLC. She has four baseball loving energetic sons and somewhere in a paper pile there is documentation showing she graduated with a degree in English from UCLA.

She studied in Sweden and Europe and after living in Los Angeles most of her life, packed a U-haul with her husband and carted her family off to the amazing town of Whitefish, Montana.

 

 

 

 

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Mother’s Day

(as featured on BlogHer.)

The other day I was wondering about my great-grandmother and the land she came to Illinois to Homestead with her husband and eight kids.  I have a photograph of the family in my office, all seated in their finest clothes around a buffalo hide rug.  Mid 1800s.  She looks like she could kick your ass if you were good enough for an ass kicking.  If not, she’d just turn her boney Yankee shoulder to you and you would understand for the first time what it is to be on the receiving end of disdain.  I wanted to know about my mothers. Especially this one.  I wanted to know what she was like outside this photo.  If she had a soft side.  I was wondering about the farm she’d left in Manchester, Vermont.  If she ever looked back.  And I was wondering about the china tea set that somehow made it to my china cabinet in Montana a hundred and fifty plus years later, along with a caned birds-eye maple chair…and if she’d like me to use them more often, or take care of them differently, or better yet, I wanted to know the story about them.  How she chose what she chose to make her covered wagon crossing from Vermont to Illinois.  I was wondering how I can serve her memory.  Mostly, I was wondering if I have her in me.  If I can look at my life like chapters instead of a tower of blocks that add up to some sort of art in the end.

So I called my mother.

My father is dead. This was his side of the family.  But my mother is the sort of person to marry it all—not just the man.  I’ve traipsed through cemeteries all over New England and Illinois with my mother in search of my ancestors’ resting places on both sides of the family.  She calls us “cemetery people.”  I never knew what that meant.  Now, at forty-five, I think I do.  It means that we hold our deceased in story and artifacts and we don’t let them go.  We firmly believe that we need them.  We believe that they are in our lives holding us from a mystic zone that might be called Heaven.  (We are also Heaven people.)  My mother actually prays for our deceased ones.  And asks them to protect us.  Like we go God both ways.

“They left in a covered wagon for central Illinois because the land was rich and they didn’t rotate their crops in Vermont so the soil wasn’t any good,” she rattles off like a memorized soliloquy from the phone between bridge and altar guild.  “I have some of their letters if you want me to Xerox them and send them to you.”

And suddenly I am in a panic.  She is turning eighty this October.  She’s vibrant and frankly looks better than I do after a rough Montana winter…but like she says, “Nobody cares about you quite like your mother.”

She’s always telling me how sad it is for her, an only child, to accomplish or experience or suffer something, and not be able to call her parents anymore.

“They thought I could do no wrong.”

Suddenly, I am imagining that day for myself and I dread it.  It will be a claustrophobic feeling:  I need my mother.  She’s not here.  There is quite possibly no one who has the answer to my question left on earth.  There is quite possibly no one who cares about my little story or my little panic or my little woe.  Who do I call?  A friend?  It would sound too needy or too braggadocio.  A child?  Children shouldn’t bear your emotional burdens.  After your parents pass…who is strong for you?

I called her the other day to find out about my great-grandmother, and ended up learning all about my mother.  I asked her questions instead of just monologuing about my life and my victories and problems.

She talked about the view from her bedroom window in Chicago’s Whitehall hotel.  “The Water Tower.  I believed it was my fairy princess castle.”  There is a newspaper clipping I’ve seen of her as a white-gowned debutante with Buckingham fountain behind her and the Chicago skyline.  “Virginia Aldrich has the City of Chicago in the palm of her hand.”  I always loved that my mother was such a beauty.  I haven’t told her that.  There is so much I haven’t told her.  (And I have to add here that when I asked her to send me a photo of her as a young woman…without letting her know what it was for…on top of the fact that she was packing to go to a fundrasier in Washington, she sent me this LOVELY photo of herself.  She is so loyal that she took the time in her nightie which you can see reflected, to do this for me, having no idea what I’m up to.  You can see it in the reflection and that is such a metaphor for who she is to me.  May we all have mothers like this.  Busy, in our nighties, who pull through in the eleventh hour for our daughters and sons…)

So, in honor of my mothers, and Mother’s Day, I’d like to tell her now.

Mom, I love the way you like to dance with abandon.

I love that you are a flirt.

I love that you have a big laugh.

I love that you love to skip.  I am sorry I stopped skipping with you when I was a teenager.

That's Mom in the bottom left!

I love that you love Gran Marnier soufflé.

I love that you give things up for Lent and stick to it.

I love that you never missed one of my school plays, and even drove the station wagon from Illinois to Connecticut to see me in Guys and Dolls and The Fantastiks.  That would
not have happened without you.  Dad wouldn’t have made that effort.

I love that you always make the effort.

I love that you know what time my flights leave and track them until they land.

I love that you read every single thing I write and I love knowing that you will read this.

I love that you told me to go to Italy for my junior year in college instead of Vienna.  I loved that you cried about it, knowing what cloth I am cut from.

I love that you go to church.  That you value community service and volunteer endlessly.

I love that you have your own business and are good at what you do.

I love that you gave me a solid foundation and did not make crazy in my life.

I love that you don’t watch a lot of TV.

I love that you are a good friend to many.

I love that you aren’t wasteful.

I love that every single time I call you, and ask what you are doing, you give an exhilarated sigh and say what you are doing.  Which is always a lot.

I love that you don’t “sit around and eat bon bons all day” and never would.

I love that you made us read aloud a Bible passage every night at dinner.

I love that you made us say Grace.

I love that you made us wear shoes at the table and learn where all the utensils are supposed to go and to say, “are you finished” instead of “are you done” and taught us to Remove from the right and Serve to the left.

I love that you made us take piano lessons.

I love that you were never late.  Never.  I am usually five minutes late.

I love that you sang to me and read me stories when I was little.

Where all the snapdragons and pansies and pink roses grew.

I love that you had me take horse-back riding lessons but told me that it would be too pressured a life if I got into competing in the horse world.  You were right.  I was not cut out for that kind of pressure.

I love that you framed my childhood art.

I love that you love pink roses and snapdragons and yellow pansies.  I love that you made little arrangements of them and put them on my bedside table.

I love that for someone who sure does know a lot of influential people, you aren’t a snob.

I love that you wear the same sweaters in 2012 that you wore in 1950.

I love that you love yourself.

I love that you love me.

At my hometown book signing-- look how happy we are. Wow.

What a class act.

Happy Mother’s Day.

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Montana Writing Retreat Registration is Open!

 

Glacier National Park

Montana Writing Retreat

 

With New York Times and international
best-selling author…
Laura Munson

September 26-30, 2012 (sold out)

September 19-23 2012 (still some spots left…)

I will be leading regular retreats in Montana in 2013, however at a higher cost, so this is a special offer.  I have a lot of interested people and so if you want to come, act fast!

I have called Whitefish, Montana home for twenty years.  I have written books here, mothered here, and wandered around in this deep wilderness on foot, horse, skis, kayak, canoe, river-raft, dogsled etc.  Montana has been my best teacher, especially for my writing, and I want to share it with you.  Like no other place I’ve been, Montana gets under your skin and stays there even when you are far away.  Its terrain, sometimes rugged and daunting, sometimes soft and beckoning, sometimes just plain heartbreaking…is that of the written word. 

What We Will Do:

Days:

We will spend three days in intensive small group sessions exploring craft and voice through various writing exercises, one-on-one workshop sessions with Laura, and private writing time.  There will also be opportunities to do yoga, go on guided silent meditation walks on the gorgeous 400 + acres of the Walking Lightly Ranch, and take equine therapy classes nearby.

Evenings:

Evenings will include student and instructor readings, visits from guest writers to share about the writing life, and fantastic meals overlooking the beauty of the woods of Montana.

Food:  All food is vegan, largely grown on property or locally grown, and lovingly prepared on-site by skilled chefs.  *We can accommodate special dietary needs.  And yes, coffee and wine are permitted (favorite question so far) !

Accommodations:  Each person will have a private room in the main lodge or in the guest lodge.  Each has a private full bathroom.

Cost:  The cost is $1,800 which will cover the conference, three daily meals including dinner on the night of arrival and breakfast on the day of departure, rooms, and sponsored evening wine hour.  This price does not include transportation.  

Application:  My retreats are limited to ten participants to ensure proper attention to your work, and are open to all ranges of writers, whether you are in the process of writing a book, have a book idea, or just love to write and want to explore self-expression on the page.  I do have an informal application process which helps to set your intention about why you want to join me on the retreat, and helps me to know what you hope to gain from it.  Simply send a statement of purpose, as well as a writing sample (no longer than 1200 words) to laura@lauramunsonauthor.com.  In your statement of purpose, please tell me about your goals for this workshop and for your writing life, and provide me with any other information about yourself that you feel is important.

Where We Are Located: 

Set in the northwest corner of Montana, The Flathead Valley, is my favorite part of the state– with Glacier National Park just 20 miles away, the 30 mile long mountain-flanked Flathead Lake at its base, and our Whitefish ski
resort at its top.  This is the still-pristine land of lakes, rivers, foothills and Rocky Mountains, charming little towns, and most important:  open space.  I know of no place like it left in the lower 48.  You might want to consider coming early and/or staying after the retreat to experience the magnificent Flathead Valley and explore.

The Walking Lightly Ranch is a ten minute drive from Whitefish, set deep in the woods on a lovely lake, with an organic garden, gorgeous yoga pavilion, and walking paths throughout.  It is a place of serenity and inspiration truly unique in our busy world.

Getting Here:  Flights: Delta, United, Alaska, American, and Allegiant go in and out of Glacier International Airport in Kalispell, with non-stops from San Francisco, Seattle, Denver, Chicago, Las Vegas, and
Minneapolis.  You might find cheaper flights in and out of Missoula (2 1/2 hour drive), Spokane (4 hr. drive), or Calgary (5 hr. drive).  Rental cars are available at the airport.  Taxis run $40.00 each way to the ranch.  Train:
Amtrak goes in and out of Whitefish.

For more information about my writing and my retreats, go to my website.    

Montana and I await your spirit and words…          

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Are You Wanting to Start a Business? Here’s some inspiration…

When people advertise on my blog, I like to champion them, especially when they have created something powerful from pain.  I’d like to introduce you to Renee at Monogram Mama who will be advertising at These Here Hills.  Click on her great ad (right side bar) and go check her out.  What a great example of reinvention.  I am inspired.

I grew up terribly terribly preppy– pink monogrammed sweaters, monogrammed towels, gave monogrammed boxers to my high school boyfriend– heck my mother’s CAR is monogrammed…  And so Monogram Mama feels like an old friend.  Here’s to some shopping therapy.  To all of you who want to start a business but it seems too daunting…here’s her story.   May it inspire you to live your dreams and dream your life:

 

LM:  How did the idea for your business hatch?  What made you go from hatch to fledge?

MM: In the Summer of 2011 my husband decided he wanted a divorce.  I had not worked full time in 10 years because I have been raising four daughters.  Honestly, I was so frightened that I would not be able to support my children.  I read
your book and became inspired.  I took a hard look at my life and what dreams I had been pushing to the side.  One of those was to own a business and the other was to live at the beach.  But how was I going to do it?  For over four months I researched existing businesses to buy and I came upon a company that sold retail websites.   I had an idea to create my own and I hired them to create the site and teach me the ropes. I love monograms!  So, Monogram Mama was born and I am very proud of what I have created. And this month I am moving to the coast.  I finally can see the light at the end of the tunnel of my heart healing and my soul at peace.

LM:  What inspires you?

MM: Hands down my daughters are my inspiration every day.  There have been days that I have been crying so hard that I didn’t think I could take another breath but then I think of them and I push forward.  They look up to me and they believe in me.  All five of us realize that this is my time to soar and succeed.  I want to teach them to believe in their dreams and make them happen.

LM:  Did you experience any negative self-talk around creating your business? If so, how did you move through it?

MM: Every day!  In those first months after my husband left I didn’t think I was capable of even boiling water!  But I began to journal and I would print inspirational quotes and put them on the wall in front of my computer.  My girls also continued to
push me forward if I started doubting myself.  We are definitley a house full of strong women!

LM:  What is your vision for your business?

MM:  I want Monogram Mama to be one of the Top 3 monogramming sites in the country.  I plan for it to support me and my children and allow me to begin fulfilling my dreams of traveling to Africa and India.

LM:  Do you have a mission statement? If so, what is it? If not, what would it be?

MM:  I don’t have a mission statement.  What makes my site different from the others is the fact that it’s personal.  I want the customers to know “Mama”.  I hand pick each item on the site, I respond personally to any questions and I blog about other ways to bring a monogram into your life.  I don’t want to lose that personal touch.

LM:  What advice would you give other people who want to create something but are stuck?

MM:  The biggest thing I believe we all need to do in our lives is to listen to our inner voice. For years, I was ignoring mine and it was trying to tell me my life was out of balance.  It has not been easy to be still and listen.  Honestly, listening has changed my life.

LM:  What has been the best part of starting your own business?

MM: Meeting all of the amazing women! The company that built my site is owned by a woman who is not only smart but very strong.  She has built her company from the ground up, employs only incredible women and is a breast cancer survivor!  Also, the majority of the merchandise that I carry is created by women.  It has been a blessing getting to know them and their stories.  I appreciate each day being surrounded by them and learning from them.

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Writing Contest: Sunrise (submissions close May 1st)

Announcing the winner of this contest and the recipient of 50% off to my September Montana writing retreat:

Erika Putnam

Thanks to all who submitted.  You helped the judges see the sunrise with new eyes.

I woke early in Florida the other day and watched the sun rise.  And I decided…I have not watched enough sunrises.  I find that when I do…something always happens. Especially when they include a watery horizon.

There is a story in this photograph. That bird knows something, if only that it needs to fish. I want to live that deliberately.

To that end…write me this story in 1200 words or less. The winner gets half off to my writing retreat in Montana this September 26-29th.

I look forward to your entries…  And I hope you look forward to your sunrise.

yrs. Laura

Send entries to laura@lauramunsonauthor.com

Submissions close May 1st.  I will announce the winner on May 2nd here and will send you a personal email.

Thanks for all your beautiful stories.  It’s been a true pleasure reading them.  If yours does not win, I invite you to apply to the retreat anyway.  It’s fast filling up, so if you are interested in coming regardless of the 50% off rate, email me.  The retreat is $1,800 which includes three vegan meals a day, private room, intensive small group writing workshops, private writing time, and one-on-one sessions with Laura, deep in the woods of Montana on a lake.  Email me and I can send you more info.  I am officially opening registration next week, but am making pre-registration available to writing contest applicants so let me know if you want to be put on the list regardless.  yrs. Laura

 

 

 

 

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Writers: Q&A with editor Kim Ludlow

Kim at work in New York City. That's her dog, Dex on her screensaver...

Q&A with Kim Ludlow, editor and founder of Ludlow Editorial.

 

What excites you about book editing?

I love finding the right language for an idea or feeling.  I love organizing and reorganizing the puzzle pieces of a story to see how structure changes the experience. It starts with intention. In conversation, I listen for what people are trying to communicate; on the page, I look for clues to what drives the writer to tell her story.  Recognizing these intentions honors the writer, and opens the door to understanding the life of the story.  For me, the mystery of why we tell stories and the challenge of how we tell stories is a perfect marriage of the heart and mind.

 

What led you to provide this service for people?

Honestly, the fact that I love doing it is one thing.  The fact that my peers consider me very good at it inspires me to offer it up as a service.

 

You are one of the most intuitive editors I’ve worked with.  Tell me about how intuition plays out in your work with writers.

Much like what excites me about the process, when I read someone’s work I concentrate on what the writer is trying to say. I let my instincts respond first to the words, then to what I hear behind them. Whether I’m thinking about James Joyce, or a new writer’s first draft, the important question is “what is this writer trying to communicate?”  Whether the piece achieves the writer’s goals at that moment or not, the question remains the same.

 

What are some of the most common pitfalls writers face?

I find that writers (experienced and not) often struggle with the same problems.  Some of them are: losing the tension and structure of the story, have an unclear narrative point of view, undeveloped characters, pacing, and unnatural dialogue.  It’s often a good idea to read your work out loud to yourself.  It’s amazing what you can hear that you don’t recognize on the page.

 

Where do you find writers often get stuck in their work?

This is as varied as the writers who write.  It’s often a question of story structure and what makes the story feel “alive.”   It’s easy to get bogged down in something that doesn’t move the story along, or that the writer is attached to, but doesn’t belong.

 

How do you help a writer get unstuck?

I tend to dig into the sentences and paragraphs fairly deeply for content, and use examples in the text to show what is and isn’t working and why.  Then I describe the larger context of the story and how those examples hinder or help the author’s intention.

 

What are some powerful questions you can give people who are considering writing a book or are already at work on one?

Have you ever read a story like the one you want to tell?  How is your story different?

What is the most important event in the story?  When does that event take place in the story’s timeline?

Know where your narrator is in time.  Is she in the middle of the story (she knows some things, but not others).  Is he at the end looking back?  How far away from the events is he?

 

When is it time to hire someone to help you?

I think my skills are best applied to a working draft (short story, opening chapter, 1st draft of a script).   I can always tell someone if I like their idea or not, but it’s once the idea starts to take shape that the constructive questions and discussions can begin.

 

Any other advice you can offer writers?

Read.  Read.  Read.
Know the genre you’re working in.
Know how things are usually done so that you can take advantage of the established form, or know why you do it differently.  If you’ve never written a story before, look at some of the books on basic story structure and the tools of story-telling available to you.  Then write.  And write.  And rewrite.

Thank you, Kim!  Kim can be contacted at her website and to those of you looking for editing help, I strongly recommend her services.

yrs.

Laura

 

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If you sit long enough and watch…you’ll see things. Last night I saw the moon climbing trees.
 
And for just a moment…it got stuck.

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Greetings from the Radiant Retreat!


Hola from sunny Mexico!

I’m writing a quick note from Tulum, where I’m co-leading a yoga/writing retreat with the fabulous Jennifer Schelter.

If you missed this one, don’t worry, I’m planning another one in Montana this September, stay tuned…

I also wanted to thank everyone once again for their submissions to my Breaking Point series. It was a powerful release, no?

OK, off to stretch these limbs…

Adios, amigos!

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Breaking Point: #20

I am going to end this Breaking Point series with two stories of grief:  beginning in resistance, denial, anger and a final facing of the truth…and ending in Glacier National Park, a place I hold dear.  And a reminder that nature (or God if that is your belief) can hold us when we can’t hold ourselves.  “Let go and weep.  I will not leave.”  Thank you to all who have bravely contributed and to all who have bravely read and commented and shared with others.  It is Springtime now. 

yrs. Laura

 

Submitted:  by Laurie Wajda who blogs here.  You can get her ebook here.

Tribute to a Friend

It was 4pm. In all reality it was 5, but the recent time change had stolen an hour so the shadows were reaching their peak. I rolled down the sleeves of my jacket as a chill hit the air, and stood in my own eternity looking at the stone. It was 4:02.

The mist that had started to rise as I passed through the gate was growing denser with the twilight hours. It swirled up slowly, engulfing my ankles, and lulled across the grass, around and over and between each epitaph. Surely my imagination, but as the earth’s pores let out its steam, the pungent odor of decaying flesh filled the air. I stood fixated, pulling tight the coat around me as if to ward off some unseen evil.

I patted the two Michelob Lights I’d shoved into my pockets and settled myself directly in front of…it.

It was my best friend’s birthday, and I was bringing her a beer. The sad part?   I brought two, opened them both, and placed one at the foot of her headstone.  It had been two years since I’d been to this place.  I had to laugh as I looked around and said, “Well, kiddo, you haven’t changed a bit.” And then my head hit my knees and I cried like a baby.

I don’t know if I went there that day out of guilt or loyalty: Guess I never will. But nevertheless, there I sat.

“Listen… I know I haven’t been here in awhile. Well, I haven’t been here at all… A few times but … it’s not like I could forget your birthday or something.”  Phil Collins flashed throughmy head. No Reply At All. “Jesus. Listen to me talking to a rock.” I took a swig of beer and waded through my myriad of thoughts.

“Ya know – I read your name on that damn thing and I still don’t believe it. I feel psychotic sitting here but we always said the big 2-1 would be a hell of a party.  Some party…

“It’s not like I forgot you or anything…  It’s just that, well, it all feels so superficial…   I’d come here, drop off a flower and sit and cry… what’s the point?  It’s not like I’m here for a visit with some tea and a chat, right?

Listen, Kate, You were my best friend – always were, always will be. You were the person I talked to and trusted and partied with – and then you just up and died and I had no one to tell.   I can’t come here.  Just to look at a damn stone with your birth-date on it?  I can’t do it… I’m sorry, but I just can’t.”

Before any tears fell I got up to leave. Hands shoved in my pockets, I slowly backed away. I turned my back on that stone, that grave. And then I walked toward the gate, never looking back.  I knew at that moment I would never return.

I left the beer bottles there that day. One full one and one empty one, standing side by side. They stood there together like old buddies saying I’m sorry and I forgive you and Happy Birthday all at once.

When the groundskeeper swept them up the next day, I’m sure his only thought was that a local drunk had left his garbage once again. He would never know that those two bottles stood for years of friendship and laughter.  For vacations and smiles and tears and
understanding. He would never know that those two bottles were a tribute to a friend.

Submitted by: Kaye Dieter  

“The River”

Glacier National Park’s Rocky Mountain Front borders the east edge of the North Fork of the Flathead River that winds its way past my childhood home.  These mountains rise rugged over the grassy, tree-dotted valley that holds this river that has been a friend to me for over 30 years, a friend that listens, always listens.  Even before I sensed it was listening, I was drawn to the river.  Before the sadness.  Before the tear drops would not fall, then carrying the tears that could not be contained, unnoticed and without a grudge, in its welcoming mass flowing cold, clear and comforting, away from where I stood on its rocky edge.

I have come to this place since I was seven years old.  Back then it was pure joy to be a seven-year-old girl with an hour, or afternoon on a hot Montana summer day, with time to be oblivious to everything but what absorbed me from my inner-tube portal.  Tied to a log in the mainstream of the river, my rubber craft allowed for enough interruption in the current that, if I sat silent and still, was usually rewarded by a glimpse of a bull trout lying heavily on the grey-green limestone river bottom.  The inlet, where the water flowed slowly in a clock-wise direction, and the spring glacial silt settled to cover the rocks, is where I drifted facedown, delighting in the newly hatched frogs that hopped from the muddy shore, and the minnows as they zipped, zigzagging through the mesmerizingly spaced grassy reeds.  I was keenly aware of the large water beetles swimming haphazardly, and then colliding bluntly, into whatever happened to be in their paths.  Any innocuous leaf or silent stick that was unfortunate enough to bump into the last 1/3rd of my foot (it required too much effort to keep it out of the glacier-chilled water), was unfairly accused of being one of the clumsy little monsters, and was reflexively kicked at. If the water beetles were monsters, then the slimy green-black leaches were blood-sucking snakes that brought terror into my inlet water world.

From the idyllic age of seven, the dependable nature of the four seasons initiated me into early adulthood sooner, and later than I would have liked.  The river saw it all, and listened the whole time.  When I had to leave the river is when I needed it the most because that is when the sadness became my constant, demanding and meddling companion.

During the winter months of November, December and January the river struggles to flow as the slushy islands of ice glob onto its edges.  By early January it is no longer a black ribbon meandering quietly between soft snow banks, it has become just another cold, hard surface for snowflakes to settle on.  But under the deep layer of snow, on top of the thick glass ice, the subdued river is still listening.  Then, as an 18 year old, I kick and glide, kick and glide down its unobstructed path, the snow greedily snatches the tears falling from my eyes, and the water below murmurs quietly.  I listen.

The river says softly, “Let go and weep, I will not leave. Even though you must leave again, when you return I will be here, and will always listen. I know you and I also feel your sadness. I knew and miss her too. I saw her watching you from the high bank.  Making sure I wasn’t playing too rough with you, admiring my graceful form in the varied shades of light, and paying me the highest compliment by putting my likeness on canvas.  Her protective gazes over you were over me too. So please, let go, weep, collapse, remember, weep some more, and when you are able, remember and smile.”

 

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Breaking Point: #19

Today is officially the first day of Spring.  Our last Breaking Point post will be tomorrow due to the volume of submissions.  There are three stories today.  I love that they don’t try to tie themselves up in a bow.  They linger in pain. I have a friend who says that everybody who comes into our lives is our teacher.  I would say the same for pain.  Here’s what Shakespeare wrote about it in As You Like It:

“Are not these woods

More free from peril than the envious court?

Here feel we but the penalty of Adam,

The seasons’ difference, as the icy fang

And churlish childing of the winter’s wind,

Which, when it bites and blows upon my body,

Even till I shrink with cold, I smile and say

This is not flattery:  these are counselors

That feelingly persuade me what I am.

 

The first was submitted by: Nikki Di Virgilio, who blogs here.

My mom had just come to live with us. She spent her fortune and lost her home. I was unemployed. Money was low. Bills were high. My husband had an addiction. Children were children. Mom’s presence pushed me to the edge, and then I fell off.

The day was cloudy. Maybe a bit of rain. I ran out the back door to the siding and smashed my head against it. Screaming. Punching the side of the house. Someone help me. Notice me, but don’t look at me. What am I doing? My husband came out the door. I ran. Down the neighborhood street. Past the house where the “perfect” family lived. Screaming. Running. Through the children’s park. To a tree in someone’s backyard. Head against the bark. Crying. Body throbbing. My husband found me. I ran again. Back to the street, by the house where the perfect family live. The husband came out. He thought my husband hit me. Someone help me. Notice me, but don’t look at me. What am I doing? An ambulance was called. I sat on the curb. Waited, but wanted to keep running. But where? I stepped up into the metal truck. No sirens were needed. A bed waited. No drugs or straps were used. They let me go. My husband always said I was too smart. I could talk my way out of anything. But I knew I wasn’t crazy. As much as it looked like a breakdown from a medical point of view, I had a spiritual point of view. I broke, but I did not break.

I had never wanted to be like my mom. She was never stable. But as I ran through the streets screaming, the part of me that feared being like her took over. It was only in this taking over, this seeing and expressing that part of me that I could release the control I thought I had over all the crazy that was within me. It was the part of me that watched from a space above the crazy that saved me from actually breaking into another reality.

Actress Jessica Lange, recalls some of the “crazy” characters she has played. Maybe, she shares, “it’s a great opportunity for me to get rid of that craziness through someone else.” Some of us carry a thread of crazy, or the fear of it, and we need to shake that crazy out. All of us, I believe, carry a thread of something in us that we need to shake out and get through in order to uncover who we really are, and build from there. I did, and I’ve been building ever since.

The second was submitted by: Star Roberts

“Around the Bend”

The  screen door slapped against its old wooden frame, sending flakes of white paint to the floor as we hurried out. It was a beautiful day for a walk. One of those shimmering late August afternoons in southern Oregon farm country. The sun was lowering in the sky and the heat of the day was down. A logging truck whizzed down the highway with its last run and a slight breeze carried the scent of recently cut alfalfa.

As we made our way down the gravel driveway onto the path that separated the ditch from the road and got farther from our tired house, from him, our hearts settled back in our chests. Without talking we walked single file, Mom leading, down the open valley, away from the scattering of houses. A neighbor’s peacock cried off in the distance.

We headed south toward the bend in the road and from there took a hard-packed sheep trail through stands of scrub oak up into the hills. As we walked, grasshoppers shot in front of us making zipping sounds as they startled in the tall grass. Our pace slowed, working our way up the ridge and we stopped from time to time to catch our breath. I could see sheep off in the distance and at age twelve, I still had the urge to chase them, like I had so many other times, but I stayed close to Mom and my sisters, Sally and Mona.  The farther we got from home, the easier it was to forget why we were walking and enjoy the soft tawny beauty of the dried hills rolling up and away, calling us to follow.

We walked for a long time until our stomachs were growling and our feet were sore. Canvas sneakers with toes poking through and cheap rubber thongs from Woolworth’s are not made for covering much ground. On a good day dinner might have been on the table and it wasn’t hard to imagine a plate full of fried potatoes and venison being washed down by a big glass of milk from our cow, Tilly.  Girl whining and theatrics seeped into what little conversation there was and after a bit Mom said “Well, I guess we’ve been gone long enough.” Long enough, I thought, for him to pass out.

As we worked our way back down the ridge on the trail that lead toward home a frightening but familiar smell seeped into our noses – something was burning. Our eyes were drawn towards the bend we had come around earlier and the column of smoke rising up behind it into the clear blue sky. We looked at each other and all registered the same thought at once, then broke into a run. As my feet hit the trail towards home, my insides screamed,  No, No, No… But I knew. We knew. It was our house. On fire. Again.

The third was submitted by: Susan

“Man, It’s Hot Up in Here”

It was my time to relax.  Dinner served, plates cleared, dishes washed and put away.  I went downstairs to the only air-conditioned room in the house besides my father’s bedroom.  He was an air-conditioning and heating contractor, installing hundreds of central units in residential and commercial buildings.  We only had a single window unit in the family room.  It was summer in the South; even at eight o’clock in the evening, it was miserable.

I worked for my mother for twenty five dollars a week.  I watched my five younger brothers, cooked lunch and supper, cleaned house, and cycled mounds of laundry through machines that spun endlessly.  Mom worked as an office nurse for a cardiologist.  We were warned not to bother her at work unless and until bones broke, teeth went missing, or large quantities of blood were spilled.  And to wear clean underwear if we came to the Emergency Room connected to the clinic where she worked.

I had just settled into one of the homemade plywood sofas when the light in the stairwell leading down to the basement began to flick on and off.  My father bellowed, “Lights out. Everyone in bed.”  I was the only one downstairs.  The others were probably huddled under bedcovers feigning sleep.  Dad was drunk.  He assumed a personality we called the “Russian Bear”: cold, angry, and dangerous.

At first, I sat still thinking I could pretend I wasn’t there.  I knew he wasn’t likely to take the walk down the steps.  I’d outlast him very quietly.  The light continued to flick.  Off.  On.

So I gave in and angrily switched off the air conditioner, the television, and the basement light.  I began to climb the steps.  He waited in the hallway at the top of the stairs.  I had to pass him to go to my bedroom.  As I reached him, he raised his hand as if to backhand me.  He’d never done that before.

“That doesn’t scare me,” I stupidly said.  He was a big man.

Then all I could see were his hands hitting me right and left.  I ducked and ran past him into my room.  He followed.  An oscillating fan on a chair became an obstacle I was more aware of than he.  I landed seated on top of my desk facing The Bear.  The fan waved from the chair just behind his right leg.  The slapping did not stop.

My younger brothers alerted by the sounds of yelling and blows ran for my mother.  She appeared in the scene behind my Dad, calling his name and insisting he stop.  She picked up a lime green stuffed alligator from my sister’s twin bed.  She began to flay him with a toy.  I looked at her, the weapon, and the attacker.  I knew my mother would never be able to protect me.

The green alligator distracted him.  He stepped back into the fan which crashed to the floor.  I saw my chance to dash when the focus was off me and on to the fan.  I ran outside into the black, hot, summer night.

I couldn’t run away from home.  My older sister, wearing clean underwear, worked as a nurses’ aide at the hospital with the Emergency Room.  My last task of the day was to pick her up at eleven thirty.

The next day Mom arranged for me to travel by train to New Orleans to visit her sister.  I stayed there several days and swam in her apartment pool.   I returned home and went back to work.

No apologies were ever spoken.

 

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