I use the phrase Find Your Voice often, and people often say to me that they have finally found their Voice (I especially love when that happens at Haven Writing Retreats!)…but what does it really mean? If we find our voice, does that mean that we have been voiceless? Does it mean that we didn’t know we had one in the first place? The reasons why we might feel voiceless are endless.
Your job is to dig deeply with raw realness, and say what you truly have to say in the way that only you can say it. And here’s how to know if you are in that confluence of pure truth and intention: it’s easy. And as I’ve said many times: ultimately it’s not about the words at all. It’s about what’s behind them, what’s between them, and what’s left in their wake.
Please enjoy and please consider opening to the fact that YOU DO have a voice, and it is your own.
To read more from me on Voice, click here!
Essay #5: The Voice Between the Words by Erika Putnam
Before my eyes opened this morning I felt a surge of panic. I reached under the pillow and snatched out my iPad. Did he respond to my message? I was having second thoughts about the email I sent last night. It was a sincere and unedited reply to his question, “How do you see yourself having the strength to make this change”? Without much thought, I pressed the send key. Then, I sat with remorse thinking, “oh no!” when he reads that he will think I’m crazy.
Our email exchanges began after a brief meeting. We discovered we were both writers and started sharing ideas about creative expression. His writing rhythm was immediately apparent. His morning emails are full of deep thoughts, descriptive experience and considerate questions. His evening communication is flirtatious and spunky. After hours he addresses me as “doll”, and his remarks have intended to provoke exploration or penetrate subject matter that requires visibility from another level. My morning writing pattern is inquisitive and introspective. By night my writing is random and disjointed. That explains the unpolished and over exposed email I sent the night before. Did I cross the line with my bold musings or create an opening for each of us and our respective lives?
There it is. I open the email and drink his words like morning coffee. He writes, “Did you really write this?” I smile. I hear his voice between the words. He continues on with an eloquent description of reasons to change and peppers it with personal insight and ends stating, “Many of us can imagine the perfect new way of being, but we lack the strength and fortitude to see it through”.
I begin to hear the voice in my mind that is formulating a response to what his writing has touched in me. I let our distance give me permission to be transparent. The voice that writes to him is different than the voice of my external life. I only hear this voice when I have my hands on the keyboard. It is similar, yet different than the voice that writes with purple pen in my journal and draws boxes around the good stuff and stars the margins. This voice is softer than the voice that writes medical narratives. It feels similar to the voice that makes wishes in birthday cards. The voice that wants to reach him has a distinct filter, several channels, and layers of content. It can more precisely describe a thought, image or feeling.
My response teases back, “Did you really write this”? Then, more words creep onto the page, cautious at first. I start with writing about having strength to change and allow myself to feel strong. The sentences begin to express a feeling tone. My inner voice feels stronger, louder, and the pace of my writing shifts. It takes the tempo of passion for a few sentences and then becomes slow and steady. Almost unconsciously, I write words that don’t feel like mine. It is, as if, the spirit of me has taken over. I resign the keys to the voice inside of me that allows connection between my heart and the subject on the page.
I re-read my letter and hear this familiar and separate voice. I see it has taken its seat again in my reply. I am compelled to toss it but instead, I see it through. It has proven to have the capacity to communicate things that don’t surface face to face. I consciously press SEND. He didn’t mention crazy.
- Erika Putnam
Essay #6: Denying and Declaring Voice by Brenda Wilkins
Renowned author William Kittredge invited me to review my assignment from his creative writing class at The University of Montana. I fought my father like hell to take this class. He sees no point and he pays my tuition. He wants me in economics and accounting.
‘This is not the short story I assigned, this is the beginning of a novel … a memoir, yes?’ Kittredge asks tapping my paper on his desk when I appear in his tsunami-paper-piled office. Books tip on shelves, and edges of anything, including the chair he clears for me to sit.
‘Yes,’ anticipating admonition.
‘It’s good. You have natural talent. I’d like to help you.’ He’s grizzly bear intimidating, but there is a warm glimmer in his eyes. I stare – in shock at the complement, the offer. This is the best day of my life.
‘I don’t offer that often.’ He says raising his bushy eyebrows under his bushy head of hair. Waiting for me to reply, to understand the extraordinary offer.
‘Thank you, thank you.’ I mumble breathless. He nods with a slight grin handing me back my writing with ‘SEE ME’ scrawled across the top in red editor’s pencil. I am dizzy and out of body walking across the sunlit campus on this spring day in 1982. Tears well and spill in release. I walk directly to the registrar’s office and I withdraw from Kittredge’s class. I have not seen him since.
I still write. Just like I have since I was nine and my mum gave me a pink journal with a sweet golden key, and since my mum insisted my father allow me to take Kittredge’s class. I have written through the trauma of my life with my mentally ill husband in thousands of journal pages, and into a memoir that sits complete on my computer.
In 2013 I sit in a therapist’s office in Arizona. I travelled here for intensive trauma therapy. I am here because I am a warrior in need of a warrior therapist. I grind through exhausting hours, weeks, months of therapy in the final – I hope – step to heal the PTSD I was diagnosed with shortly after my husband’s first psychiatric hospitalization. In therapy, I find a new freedom to honor all that I am. Including a writer.
I return to my memoir, realizing I must start over. While this memoir has been reviewed, and workshopped with other writers and well known authors I realize it is not my – capital M. Y. – voice. It is the powerful voice of ‘the story’, but it is not my story, my voice. My voice is the voice of a woman telling her own story, not her husband’s. My voice is the voice of woman who acknowledges her frailty and her fortitude. My voice owns her point of view. My voice is from one who knows she is a writer.
At Haven in Montana, I arrive committed to starting my memoir anew. Fellow writers affirm my voice - not just my story. In the cocoon of beauty, love, guidance and inspiration that is Haven, my memoir unfolds fresh and new in my mind. I recognize myself in my pages.In passing I share my Kittredge encounter with Laura. She looks as stunned in front of me, as I was in Kittredge’s office as a freshman co-ed. She encourages a promised ‘to do’ from me once I leave Haven.
‘Dear Mr. Kittredge,’ my promise begins. ‘Twenty five years ago you set me on a path to find my voice. It’s time I said thank you….’
- Brenda Wilkins
Now booking 2017 Haven Writing Retreats!
February 22-26 (full with a waiting list)
To schedule a phone call to learn more about the retreat, go to the Contact Us button here.